The…Fall of Ziggy Stardust…

3 07 2018

45 years ago today, David Bowie, without previously informing most of his band members and inner circle, killed Ziggy Stardust on stage at the Hammersmith Odeon.

Artistically, I see this as significant because it’s about as rare as a $3 bill for a music superstar to flush the very formula that lead to his (or her) superstardom. Imagine the Beatles getting brush cuts and singing doo-wop in 1965.

My personal interest in Ziggy’s “retirement” is that it watching that very concert on VH-1 Classic is what turned me from enthusiastic Bowie supporter to slightly overboard devotee. Even more specifically, “Moonage Daydream,” blew my (you might think small) mind.


The European Cannon Is Here!

23 01 2018

On the 42nd anniversary of the release of David Bowie’s Station to Station, my heart wants to attempt a thorough dissection of this most fantastic work. But I’m tired and feel like crap due to a sinus infection, so – probably to your delight – the dissection ain’t gonna happen. Yet I can’t let this day pass without sharing some thoughts about Bowie’s 10th studio album.

  • The Thin White Duke, given form by DB’s long, lean frame, with slicked back peroxide mane, and finely-tailored clothes, looks every bit the cold, fascistic Aryan nobleman DB said he was. The European Cannon, indeed! This character looked like he stepped out of a 1940’s film noir.
  • DB “killed” Ziggy Stardust only a few years before creating the Thin White Duke, for fear that the line between Ziggy and David Robert Jones had almost completely vanished. But it seems that the Thin White Duke was a lot of what DB became in the mid 70s – an emaciated coke addict that was nearly incapable of any meaningful human connection or attachment, with a penchant for fascism and some interest in Hitler. Ironically, he had to flee to Berlin of all places to “kill” the Thin White Duke.
  • Station to Station was DB’s second album with heavy soul leanings. But it was the first to convincingly fuse black soul or R&B with white Euro rock. His guitarist, bassist, and drummer – men of color, as they say – brought a ton of funk to the table. Still, he ended up with a rock album… with a lot of groove. Not until the Red Hot Chili Peppers came around did an so masterfully knit together white and black pop.
  • In a way, Station to Station is DB’s Slow Train Coming. Just as Bob Dylan became born again, and proudly proclaimed that through a couple of LP’s, DB expressed his dedication to and cry for help from the Christian God. DB recalled having been “reborn” in that era. “Word On A Wing” is a beautiful plea to the Lord, something the Psalmist would write if he lived in 1975. “Station to Station” might sound like we’re talking about Train depots, but DB has clearly said he was talking about the stations of the cross.
  • What is crazy about all that is that DB’s flirtation with Christianity was all jumbled up with black magic and Kabbalism and other occult practices. In a cocaine haze, he sat in magic circles, imagined he was being vexed by witches and tormented by demons. He even had his place in LA exorcised.
  • On the most basic level, the songs are great. Listen for yourself. Put on some headphones, lay down, turn the lights off and let it flow.

As I recently told a friend, Station to Station will change your life…if you let it.

January 8, 2016

8 01 2018

A cold, quiet Friday night, alone in the modest living room in the house of my childhood. I had returned to live in that place after my divorce, but I only expected to be there a few months. By that time it had been a year. I don’t know where they were but my daughter and girlfriend were elsewhere, so I took advantage of the solitude, got a good buzz on, and turned on VH1 Classic.

I had no notion it was his birthday, but I had to pause to watch The Ziggy Stardust and the Spiders From Mars Motion Picture. I liked Bowie and had never seen it so I figured, “Why not?” and decided to end the channel surfing. At the rest of sounding corny, that decision had a massive impact on my emotional life. Of course, I only know that now in retrospect…

The concert was enthralling! Even with the lousy TV audio quality and the seemingly endless commercial breaks, I sat there as if tied to the old, faded and ripped green leather couch that had belonged to my grandmother. I couldn’t get enough. Before the first song, “Hang Onto Yourself,” was over, I went from slightly-more-than-casual Bowie fan to mega-admirer. It was then, and probably always will be, the coolest recorded rock show I’d ever seen.

Mind you, I knew most of those songs well, even liked them. I knew a fair bit about Bowie’s Ziggy period, but I never imagined he’d absolutely owned the stage. You couldn’t take your eyes off Ziggy, nor could you ignore Ronno and the other Spiders. I know I wasn’t just imagining my reaction or buzzing hard. The kids in that crowd in July 1973 swayed and sang and screamed in ecstasy, too.

I’m quite sure VH1 Classic was celebrating both the man himself’s birthday and the release of Blackstar. Those details escaped me then.

But then they hit me – it felt like me anyway – with the video for “Lazarus.” I’ll never forget the “What the fuck did I just see?” feeling I had after the video ended. I’m not a stranger to arty, dark material, but I’m mostly a straight up rock fan at heart. Ziggy has just given me a couple of hours of the kind of stuff I normally live on music-wise, with a lot of theatrics of course…but I digress. “Lazarus” – I simply wasn’t ready for its haunting beauty. It was disturbing much like Picasso’s “Guernica.”

I fell asleep on that couch some hours later and woke up a different person. Again, that sounds really trite, but that’s what happened.

I must’ve been waiting for something new musically to love deeply, to get to know intimately. I tend to obsess over personal interests, especially music. This blog was once one of my obsessions.

Bowie, in response to questions about his sexuality after the wild and crazy 70s, said of himself that he had always been a “closet heterosexual.” I think I’d always been a closet Bowie fan and simply didn’t know it.

Bowie had always been there, like road noise outside your window. When I was little, stuck in otherwise boring department stores, I would beg my mom to let me hang out in the record section. I gravitated to the Bs because I was already very into the Beatles, with a mild like for the Beach Boys. Well, Bowie’s right there. Diamond Dogs freaked me out. This …person… or…thing on these covers has a man’s name but looks like a woman…sort of. The covers to that and Pinups were almost confusing for me as a six year old. I think it was then that I caught the virus, if you will, that laid dormant for much of the next 40 years. More on that later, perhaps.

Today, two years since Blackstar was released and DB turned 69, I can only think about that rocking evening on the old green couch, and how my musical experiences have been otherworldly since.

“Heroes” turns 40

24 09 2017

Enjoy this snippet from the AA side of the 40th anniversary picture disk. It’s from The Marc (Bolan) show, which aired shortly after Mr. Bolan was killed in a car crash.

Beatles and Beans coffeehouse, Bay City, Michigan

28 12 2013

Check out this place, chock full of Beatles memorabilia and serving up delicious java. It’s wall-to-wall, floor-to-ceiling Fab Four-inspired.










26 09 2013

The Beatles’ magnum opus, Abbey Road, was released in the UK on this day in 1969. Too bad it wasn’t the last album released. The Fabs could’ve went out on top.

They shared a laugh

31 05 2013